Sasha Pimentel’s poem is a splendid example of the poetic device called the conceit, which refers to an extended metaphor, and of course, the image here is the violin. Yet the title of the poem is taken from Arizonan Stella Pope Duarte’s novel about violence against women set in Juárez, the Mexican border-city, which makes this image of a silenced instrument quite haunting and unsettling.
If I Die in Juárez
The violins in our home are emptied
of sound, strings stilled, missing
fingers. This one can bring a woman down
to her knees, just to hear again
its voice, thick as a callus
from the wooden belly. This one’s strings
are broken. And another, open,
is a mouth. I want to kiss
them as I hurt to be kissed, ruin
their brittle necks in the husk of my palm,
my fingers across the bridge, pressing
chord into chord, that delicate protest–:
my tongue rowing the frets, and our throats high
from the silences of keeping.